Imprints

After a decade of monochromatic works on paper, Al Banna taps into a spectrum of color. Like thick honey, he overlays his paper with colored ink and proceeds to top it with a second sheet of paper. Using a paint roller, he brushes over his composition with varying degrees of pressure, so as to see, when the two sheets are separated, endless manifestations reminiscent of vines trailing a path or streams of water rushing through. Imprints plays with the codes of figuration and abstraction, creating organic clusters flowing like natural elements: air, clouds, earth, space.
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Imprints 1, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 2, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 3, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 4, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 5, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 6, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 7, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 8, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 9, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 10, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 11, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 12, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 13, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 14, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 15, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 16, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 17, 2010, Colored ink on paper, 70 x 100 cm

 
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Imprints 18, 2010, Colored ink on paper, 70 x 100 cm